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This exhibition is organized by the Seattle Art Museum in partnership with the New York Public Library.

Special exhibitions at SAM are made possible by donors to
Brotman Fund for Special Exhibitions

Major Sponsor
Ellen Ferguson &
The Hugh and Jane Ferguson Foundation

Supporting Sponsors
4Culture
Muckleshoot Indian Tribe
Suquamish Clearwater Casino Resort and Port Madison Enterprises

Additional Support
Contributors to the SAM Fund
Lummi Indian Business Council
Suquamish Foundation
Tulalip Cares Foundation

Double Exposure smartphone tour sponsored by
The Seattle Times

Images: K’ómoks Imperial Stormtrooper (Andy Everson), Citizen of the K’ómoks First Nation (detail), 2017, from the series Critical Indigenous Photographic Exchange: dᶻidᶻəlalič, Will Wilson, Diné, b. 1969, exhibition print, 50 x 40 in., Seattle Art Museum, 2018 Commission, Courtesy of the artist; Man with Heron Hat, 1914, Edward S. Curtis, American, 1868–1952, glossy silver print, 8 x 10 in., Flury & Co.; Naida, 1914, Edward S. Curtis, platinum print, Flury & Co.; Sunset on Puget Sound, 1912, Edward S. Curtis, photogravure, 11 ¾ x 15 1/2 in., Seattle Art Museum, Gift of John H. Hauberg, 86.173; A Family Group–Noatak, 1928, Edward S. Curtis, photogravure, 12 11/16 x 16 3/16 in., Seattle Art Museum, Gift of Lawrence R. & Lois Glosten, 84.216; Chief Joseph, 1906, Edward S. Curtis, platinum print, 15 7/16 x 10 11/16 in., The New York Public Library, Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection, Gift of J. P. Morgan, 1911; The Potter–Hopi, 1906, Edward S. Curtis, platinum print, 16 1/4 x 12 3/16 in., The New York Public Library, Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection, Gift of J. P. Morgan, 1911; A Clayoquot Maiden, 1915, Edward S. Curtis, book photogravure, approximately 12 1/2 x 9 1/2 in., Flury & Co.; Installation view of Ǩanǩagawi (The Seam of Heaven), 2018, Marianne Nicolson, Dzawada'enuxw First Nation, b. 1969, Seattle Art Museum, 2018 Commission, photo: Mark Woods; Ch’aak’ S’aagí (Eagle Bone), 2017, Tracy Rector, Seminole/Choctaw, b. 1972, video, Seattle Art Museum, 2018 Commission, Courtesy of the artist; Clearwater: People of the Salish Sea, 2018, Tracy Rector, video, Seattle Art Museum, 2018 Commission, Courtesy of the artist; K’ómoks Imperial Stormtrooper (Andy Everson), Citizen of the K’ómoks First Nation (detail), 2018, from the series Critical Indigenous Photographic Exchange: dᶻidᶻəlalič, Will Wilson, Diné, b. 1969, exhibition print, 50 x 40 in., Seattle Art Museum, 2018 Commission, Courtesy of the artist;Talking Tintype, Tracy Rector, Artist / Media Activist, Citizen of the Choctaw Nation, 2018, from the series Critical Indigenous Photographic Exchange: dᶻidᶻəlalič, Will Wilson, exhibition print, 50 x 40 in., Seattle Art Museum, 2018 Commission, Courtesy of the artist; Talking Tintype, Ken Workman, Storyteller / Knowledge Bearer, 2018, from the series Critical Indigenous Photographic Exchange: dᶻidᶻəlalič, Will Wilson, exhibition print, 50 x 40 in., Seattle Art Museum, 2018 Commission, Courtesy of the artist; Talking Tintype, Madrienne Salgado, Jingle Dress Dancer / Government and Public Relations Manager for the Muckleshoot Indian Tribe, Citizen of the Muckleshoot Nation, 2018, from the series Critical Indigenous Photographic Exchange: dᶻidᶻəlalič, Will Wilson, exhibition print, 50 x 40 in., Seattle Art Museum, 2018 Commission, Courtesy of the artist; Jarrod Da Family, Artist, San Ildefonso Pueblo, 2018, from the series Critical Indigenous Photographic Exchange: dᶻidᶻəlalič, Will Wilson, exhibition print, 50 x 40 in.; Talking Tintype, Andy Everson, Artist, Citizen of the K’ómoks First Nation, 2018, from the series Critical Indigenous Photographic Exchange: dᶻidᶻəlalič, Will Wilson, exhibition print, 50 x 40 in., Seattle Art Museum, 2018 Commission, Courtesy of the artist.

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